Moros y Cristianos de Villena / Moors and Christians Festival of Villena / Comparsas / Moros Viejos
“Moros Viejos” (Old Moors)
The oldest, the most historic
Founded around 1843—although its existence is documented even earlier—the Comparsa de Moros Viejos is the oldest of the Moorish comparsas in Villena and one of the key elements in understanding the evolution of our festivals.
Living History of the Festival
The Moros Viejos were first mentioned in 1838, the year they participated in the transfer of La Mahoma from Biar, a clear indication that their origins date back several decades.
The first official document referencing them dates back to 1846, referring to the 1845 festival.
Originally known simply as the Comparsa de Moros (Moors’ Comparsa), it was with the rise of a new comparsa from the same faction that the nickname “Viejos” (Old Men) began to be used to distinguish them, while the newcomers were referred to as “Moros Nuevos” (New Moors).
Tradition, Style, and Military Character
One of the most recognisable hallmarks of the Old Moors is their aesthetic, inspired by the Gastadores (Sappers) of the Spanish army. They adopted three distinctive elements from them: a backpack, a pickaxe, and a brown leather apron (or mandil).
These accessories, coupled with the fact that they carry their weapons on their right arm—following the military practice up until 1850—give their ensemble a distinctly military air.
This military character is also reflected in their marching style: a firm, military-style gait, complemented by the rhythm of the pasodoble, which gives them an imposing and solemn presence in every event they participate in.
They have retained the uniform of the arquebusier squad, although not the exact uniform of the arquebusiers, which still survives in groups like the Moros de Sax.
More Than a Group, a Symbol
Moros Viejos not only represent a tradition but also a legacy.
Their history, their aesthetic, and their role in the most important events of the festival (such as the Embassy of the Moors to the Christians or the transfer of La Mahoma) make them a symbol of respect, continuity, and festive pride.